January 2024

a multicultural group of dancers clap and step

Music From the Sole: I Didn't Come to Stay

January 11-13 at NEC's Plimpton Shattuck Black Box Theatre

Music From The Sole is a tap dance and live music company that celebrates tap’s connections to Afro-Brazilian music and dance, and other influences across the African Diaspora. I Didn’t Come to Stay, a work for eight dancers and a five-piece band, earned a spot on the New York Times’ Best Dance Performances of 2022 list. It explores tap’s diasporic lineage and connections to house, samba, Brazilian funk, and jazz. 

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a multicultural group of dancers clap and step

Ashwini Ramaswamy: Let The Crows Come

January 19 & 20 at NEC's Plimpton Shattuck Black Box Theatre

Evoking potent symbolism of the crow as a messenger between life and death, transcending space and time, Ashwini Ramaswamy explores memory, dislocation, ancestry, and more in the Boston premiere of Let the Crows Come. Profoundly personal and universally resonant, the work is “a fascinating, beautifully developed exchange of dance styles,” according to The Washington Post.

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a black man holds his trumpet almost to his mouth, he wears a dark gray suit and is in a photo studio with a gray background

Jazz at Lincoln Center Orchestra with Wynton Marsalis
Max Roach Centennial Celebration

Sunday, January 28 at Symphony Hall

Wynton Marsalis and the Jazz at Lincoln Center Orchestra pay tribute to one of the greats when they celebrate the centennial of drummer Max Roach. Roach, a pioneering legend and innovative master musician and bandleader, spanned a diverse range of styles and influenced generations to follow with his artistry and his commitment to activism. 

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February 2024

in front of an apocalyptic sunset backdrop, a black woman stands with arms elegantly outspread. her head is wreathed in wires and her robe and styling is coppery and metallic

Cécile McLorin Salvant

Friday, February 2 at Sanders Theatre

Brilliant jazz vocalist, composer, and lyricist Cécile McLorin Salvant weaves a tale of women’s secrecy under the male gaze in her latest project, Mélusine. Salvant takes as her inspiration the European folk legend of Mélusine, the woman cursed to spend one day each week as a half-snake. Experience the profound vision of a major talent with this fascinating song cycle from one of today’s most acclaimed singers in any genre. 

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a young black man in a soft light blue sweater sits on the corner of a stone bench

Justin Austin, baritone
Howard Watkins, piano

Wednesday, February 21 at Longy's Pickman Hall

Praised in Opera News as “a gentle actor and elegant musician” and in The Wall Street Journal for his “mellifluous baritone,” vocalist Justin Austin is quickly making a name for himself on opera, oratorio, musical theatre, and concert stages around the United States and Europe. Austin’s beautifully “burnished” (The New York Times) baritone voice and compelling stage presence make this recital a can’t-miss Boston debut from a young artist who is rapidly scaling the heights of the operatic world. 

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three young men pose with their string instruments in a industrial room

Time For Three

Saturday, February 24 at NEC's Jordan Hall

To experience this trio live is to hear the various eras, styles, and traditions of Western music – Americana, pop, classical, and more – fold in on themselves and emerge anew. Time For Three—Charles Yang (violin, vocals), Nicolas “Nick” Kendall (violin, vocals), and Ranaan Meyer (double bass, vocals)—have found a unique and captivating niche. The Sydney Morning Herald praised their “brilliant classical technique, stylistic eclecticism, improvisatory flair, and imaginative wildness to produce performances of energy, humour, and fun.” 

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a black woman in a black gown looks down and over her shoulder

An Evening with Audra McDonald
Rescheduled!

Tuesday, February 27 at Symphony Hall

Audra McDonald returns to Boston in a one-night-only engagement with an orchestra of local musicians. An icon on stage and screen, the six-time Tony Award-winning McDonald lends her luminous voice and committed stage presence to Broadway favorites, standards, and much more.

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March 2024

a young japanese woman conducts, one arm reaching forward, the other above her head

Miho Hazama and m_unit

Saturday, March 16 at Berklee Performance Center

Grammy-nominated composer and conductor Miho Hazama is one of the most promising and talented composers/arrangers of her generation. Lauded in DownBeat as one of “25 for the Future,” Hazama creates inventive, complex, and surprising compositions for m_unit, the 13-piece jazz chamber orchestra that she leads.

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a black and white image of a young white man passionately conducting

Orchestre de Paris
Klaus Mäkelä, conductor
Yunchan Lim, piano soloist

Sunday, March 17 at Symphony Hall

Conductor Klaus Mäkelä, just twenty-eight, already has a major career, with prestigious appointments at Paris, Oslo, and the Concertgebouw. Yunchan Lim, who in 2022 became the youngest pianist to win the Cliburn Competition, takes the soloist part for Prokofiev’s breathtaking, fiendishly difficult Second Piano Concerto. 

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